Based on a fractal Aksaka 7+5 irregular beats cycle from the beginning to the end, this improvisation has many influences, mainly among gypsy folk musicians of various Eastern cultures. The specifically microtonal double tones of the hyper-slendroic Myriadjerm sequence used in this (false) équi-pentaphone contributes to the « exo-bluesy » feeling of the insistent melodies.
Tuning : Myriadgerm (Ethno 2 series, Jacques Dudon 2010)
Isshakausansun flute, Bara drum loop, Foot percussion samples.